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Victorian and Edwardian
Art at its best, Military artist William Barnes Wollen collection of Great war
Art Prints re produced by Cranston Fine arts
WOLLEN, William Barnes. Born Leipzig,
Germany 1857; died London 1936. Along with Woodville and Hillingford, Wollen may be regarded as one of the most
prolific illustrators and artists of battle pictures of the late Victorian/early
Edwardian era. He studied at the Slade School and exhibited his first picture at
the Royal Academy in 1879. Two years later came his first military picture. The
rescue of Private Andrews by Captain Garnet J. Wolseley ... at the storming of
the Motee Mahal, Lucknow. Thereafter, he exhibited over thirty battle and
campaign pictures at Burlington House, his last being in 1922. As was the case
with his contemporaries, Wollen was attracted to the period of the Napoleonic
Wars as a source for many of his pictures such as The Black Watch at bay, Quatre
Bras (The Black Watch), The 28th at Waterloo (Bristol Museum and Art Gallery),
Norman Ramsay at Fuentes Onoro and The 10th Hussars at Benevente. In 1898, he
painted The last stand of the 44th Regiment at Gundamuck, 1842 (National Army
Museum), but for the next five years, he devoted his work to depicting
contemporary events, starting with The 21st Lancers at Omdurman (The Staff
College), although he had painted The Battle of Abu Klea (National Army Museum)
in 1896. During this period, he served in South Africa as a special artist for a
new illustrated paper, The Sphere, and sent back numerous scenes from the war.
Several oil paintings were a direct result of his experiences: The Imperial
Light Horse at Waggon Hill, January 6, 1900, The Imperial Light Horse at
Elandslaagte (Light Horse Regiment, South Africa), The Victoria Cross (Durban
Art Museum) and The 1st Battalion South Lancashire Regiment, storming the Boer
trenches at Pieter's Hill (Queen's Lancashire Regiment).
With the end of the war, Wollen returned to painting retrospective
battle/campaign pictures such as Scouts (The Royal Hussars) showing a patrol of
the 10th Light Dragoons in the Peninsula, Ambushed (Sunderland Art Gallery),
18th century cavalry ambushed on a road, and The first fight for independence,
depicting the engagement at Lexington Common during the American Revolution. The
Great War inspired him to paint several canvases, notably Defeat of the Prussian
Guard, Ypres, 1914 (Royal Green Jackets) The London Territorials at Pozieres
(National Army Museum), and "Semper Fidelis": the last stand of the
2nd Devons at Bois des Buttes, May 27th, 1918 (The Devon and Dorset Regiment).
Wollen was also an active illustrator and painter in water-colours, exhibiting
many pictures at the various London exhibitions.
THESE PRINTS WERE PUBLISHED BY CRANSTON
FINE ARTS 1991 AND 1996
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The 1st Buckinghamshire Battalion at Pozieres, 23rd July 1916 by William Barnes Wollen.
Open edition print. Image size 23 inches x 14 inches (59cm x 36cm). Price £40.00
**Open edition print. (Three prints available only) Image size 23 inches x 14 inches (59cm x 36cm). Price £25.00
ITEM CODE DHM0156
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Here They Come by William Barnes Wollen.
Coldstream Guards, France 1914.
Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00
ITEM CODE VAR0490
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Defeat of the Prussian Guard at Ypres, 1914, by the 2nd Battalion Ox and Bucks (52nd) by William Barnes Wollen.
Depicting the Ox and Bucks during close quarter combat amongst the forest area around Ypres. 1914.
Open edition print. Image size 25 inches x 15 inches (64cm x 38cm). Price £40.00
**Open edition print. (Three copies reduced to clear) Image size 25 inches x 15 inches (64cm x 38cm). Price £25.00
ITEM CODE DHM0199
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| The 1st Buckinghamshire Battalion at
Pozieres, 23rd July 1916 by Wollen
Defeat of the Prussian Guard at Ypres, 1914, by the 2nd Battalion Ox and
Bucks (52nd) by William Barnes Wollen.
Battle for Ypres. During World war one there were three major battle for Ypres. (A
Belgium Town west of Flanders and South of Ostend) The first a British
Offensive between October and November 1914. The fighting was extremely
heavy and ended up with the Germans gaining the commanding ground around
Ypres including the Ridge of Messines. The British and French held the
saliant around Ypres which extended into the German line, This made
the area held by the British and French to be bombarded by three fronts
and nearly from the rear as well. The losses were estimated to be 150,000
casualties each on both sides. The second Battle for Ypres (April to May 1917) opened with a Chlorine
gas attack by the Germans, This opened a large gap in the British lines,
But the Germans were unable to exploit the situation, before the British
had filled the gap with reserves. More gas attacks followed, and the
Allied forces had to withdrawal a small area ,making there incursion in
the German Line smaller. The Third Battle for Ypres in July to November 1917, is known as
Passchendale. This Allied Offensive was fought by British, Canadian and Australian
troops and was launched with the aim to Capture the Belgium
ports held by the German's. Fought in very bad conditions in driving rain
and waterlogged ground. The Allies lost over 300,000 casualties for the
gain of only a few miles.
For over 30 First World War fine art prints, please
see our new website: www.first-world-war.com |
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